Rare early likeness of Jonathan Swift sells for over €95,000

The painting came to auction for the first time in two centuries
Rare early likeness of Jonathan Swift sells for over €95,000

Lucinda Cameron, PA Scotland

A painting thought to be the earliest likeness of Irish author Jonathan Swift has sold for more than £81,000 at auction, well above its estimated price.

The Gulliver's Travels author is believed to be only 16-years-old and a student at Dublin College in the portrait, which is attributed to the Irish artist Thomas Pooley (1646–1723).

The painting sold for £81,250 (€95,758), including buyer’s premium, when it went under the hammer in an online auction by fine art auctioneers Lyon & Turnbull in Edinburgh on Wednesday.

Thought to have been painted around 1682, it had come to auction for the first time in 200 years and was bought by an anonymous private collector.

Jonathan Swift portrait auction
The painting has drifted in and out of public view (Alex Robson/Lyon & Turnbull/PA)

The painting had been estimated to fetch between £30,000-£50,000 (€35,360-€58,930).

There are few images of the celebrated author (1667–1745), whose works include An Argument Against Abolishing Christianity (1708) and A Modest Proposal (1729).

The work was acquired by Thomas Percy, Bishop of Dromore, Co Down, in 1801, who recorded it as “a small portrait of Dean Swift”.

First exhibited at South Kensington in 1867, it then drifted in and out of public view for the next hundred years.

In 1898 Sir Leslie Stephen, writing in the Dictionary of National Biography, declared “the present whereabouts of this portrait is unknown”.

It reappeared around 1967 in the collection of a descendant of Thomas Percy and at this time it came to the attention of Swift scholars and was attributed to Pooley.

The artist painted many high society figures in Ireland during the second half of the 17th century and at the start of 18th century, contributing to the theory that Swift was the illegitimate son of his benefactor, Sir John Temple (1600-1677).

It was shown in an exhibition at the National Library of Ireland in 1999.

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