THERE’S an immediacy to the music of Belfast trio Hot Cops that’s almost disarming upon further contemplation, really: taking in bits of the indie/alternative oeuvre and melding, its poppier aspects to a distinctly Northern strain of smirk and sarcasm.
It’s become something of a calling card for the band and their contemporaries, a small but dedicated scene of low-fidelity guitar pop, grappling equally with the current condition of existence, and the post-genre cultural mood. New single ‘Negative One’, the lead-off for an up-coming new body of material, sums this up nicely, a compact running time and pop song structure holding sweet-and-sour riffings together, both lyrical and musical.
Ahead of touring the new single and other new tunes around Ireland with compatriots Junk Drawer in tow, Hot Cops’ Carl Eccles is quick to outline the nature of his compositional economy, and the process that followed it.
“‘Negative One’ was the first song I wrote after we had taken a break because of the disintegration of plans we’d made in 2017. I was sitting down to working on the demo for an older song idea, but the main riff for ‘Negative One’ was the first thing I played when I picked up my guitar that day, so I thought I’d just record it quickly in case I forgot. Once I’d written the bassline, I flicked through the notes for lyric ideas I keep on my phone and strung together the ones I felt were most fitting with the tone. It took about an hour to write and record the demo after the conception of the riff, but half the lyrics had been written months before.”
When quizzed on how it’s been received live and among the usual Irish music people, Eccles boils down the process behind the song to its essentials, refusing to ‘pedestalise’ such ideas as wider approval. For Eccles, the feeling of performing it live is the end result in itself.
“Most of my writing is coming up with fragments of ideas, documenting them and then just waiting and working on other things until I can find a way to bridge them together. We try not to get too bogged down on the reactions of others, the most important thing is if we’re happy with it, but it’s always nice to get some kind words, and we’re open to constructive criticism. It’s been a highlight in the sets of our last few shows, there’s a real bounce to the track and the audiences have latched on to it.”
This single, and other previous releases, was recorded by Chris Ryan of Robocobra Quartet, an exceptional fusion of hardcore punk, jazz and spoken-word statements, of which two of Hot Cops are members. He’s an interesting dude on multiple levels, from your writer’s experiences in interviewing and reviewing their work, but it’s surely an odd one to work together in studio with someone growing ever more used to horns and string sections?
“Chris is a delight. He’s very creative and supportive in the studio and committed to making sure things sound how we want them to sound,” says Eccles.
“He encourages any of the more experimental ideas we might have but will be fully honest when he thinks something isn’t working or is taking away from a song. Communication is the most important thing when recording with someone and he’s been very patient with us considering how insufferable we can be. Recording ‘Negative One’ was very straightforward. We did a few live takes of bass, drums and guitar and decided on the best one and overdubbed vocals afterwards as well an additional guitar.”
It seems to be a really good time for DIY rock ‘n’ roll in Ireland again, for many reasons. The amount of great bands that have been touring and gigging small venues around the country lately is testament to this, while it’s a good bet that the industry success of the likes of Fontaines D.C. and The Murder Capital wouldn’t have happened five years ago. From the lads’ vantage point, it’s an interesting time, to paraphrase the old curse.
“I like how it’s been borne of dissatisfaction, and people’s passion for finding a way to do what they love. 90% of artists can’t just be artists, they have to be their own managers, bookers, PR, social media wizards, etc. It’s not ideal, and it’s something everyone struggles with, especially ourselves. But it’ll never stop being inspiring to me to see people put in all the hard work, purely because it’s something they believe in and want to do. Good examples of this are the DIY LK collective in Limerick, who’ve rejuvenated their alternative music scene, and the Pizza Pizza Records gang in Dundalk, an entirely independent label putting out records and putting on shows for acts they love.”
By the same token, Belfast has always been ticking over with great DIY music of all stripes and sorts. Eccles collects his thoughts on the upsides and challenges of being part of that scene.
“The upsides are that you’re in great company and there’s such a wide variety of music being made that there’s something for everyone. The people are friendly and there’s always familiar faces at all kinds of shows. The hardest parts are starting out because, at first, it can seem quite insular and afterwards it’s difficult to successfully expand beyond your own scene just because you’ve grown accustomed to it, playing somewhere new can feel like starting over again.”
Hot Cops are playing The Roundy on April 5 for Alliance Promotions, as part of a few nights of touring alongside Junk Drawer. Gordy and Arlene’s house of DIY wonders has been continuously putting on great gigs for the past few years around the city, taking chances on venues and shoring up the local scene, and on this scene, they’re giving over the floor to new outfit Culture Night to open the show, a side-project of local DIY stalwarts referring to themselves as Cork’s answer to Guided By Voices. It’s a hell of a fray for relative newbies to be thrown into. “We’ve never been to Cork, but we’ve been hearing good things about the Roundy. It’s likely to be a little daunting, but we’ve played with Junk Drawer loads of times, so there’s some reassurance.”
Hot Cops, Junk Drawer and Culture Night play The Roundy on April 5, an Alliance Promotions presentation. Tickets €10, available on the door.